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A MAZE IN ZAZAZA ENTERS AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words." Page 250 THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
FINGERPRINTS OF THE GODS A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3 If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps. "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them" "WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
.... THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits. Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18 Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance. With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts. But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Cycles and Patterns Page 165 Patterns "The essence of mathematics is to look for patterns. Our minds seem to be organised to search for relationships and sequences. We look for hidden orders. These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac! Searching out patterns is a pure delight. Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden. And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 466 "Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
ATONEMENT
AVATAR 5 AVATAR
THE SPIRIT OF GOD
THE SPIRIT OF GOD
CIRCLE 50 CIRCLE CIRCLE 32 CIRCLE CIRCLE 5 CIRCLE
PROBLEMS - PROBLEMS
LETTERS RE-ARRANGED IN NUMERICAL ORDER
SOLVE PROBLEMS SOLVE
LETTERS RE-ARRANGED IN NUMERICAL ORDER
LETTERS RE-ARRANGED IN NUMERICAL ORDER
EVOLVE LOVE EVOLVE LOVE EVOLVE LOVE EVOLVE REVOLVE EVOLVE REVOLVE EVOLVE REVOLVE SOLVE LOVES SOLVE
HUMAN RIGHTS HUMAN
LETTERS RE-ARRANGED IN NUMERICAL ORDER
I'M FATE I'M FATE FOR A VERY IMPORTANT DATE KNOW TIME TO SAY HELLO GOODBYE I'M FATE I'M FATE I'M FATE
Shakespeare Quotes - Such Stuff as Dreams Are Made on. The Tempest Act 4, scene 1, William Shakespeare
The Four Quartets Burnt Norton T. S. Eliot I "Time present and time past
THE MAGIC MOUNTAIN Thomas Mann 1924 Page 706 THE THUNDERBOLT
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 466 "Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
HOLY BIBLE Scofield References St John Chapter 3 verse 3 A.D. 30. Page 1117 Jesus answered and said unto him, Verily, verily, I say unto thee, Except a man be born again, He cannot see the kingdom of God.
IN SEARCH OF THE MIRACULOUS Fragments of an Unknown Teaching P.D.Oupensky 1878- 1947 Page 217 " 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' "
THE MAGIC MOUNTAIN Thomas Mann 1924 Page 496 " There is both rhyme and reason in what I say, I have made a dream poem of humanity. I will cling to it. I will be good. I will let death have no mastery over my thoughts. For therein lies goodness and love of humankind, and in nothing else." Page 496 / 497 "Love stands opposed to death. It is love, not reason, that is stronger than death . Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilisation, friendly and enlightened , beautiful human intercourse-always in silent recognition of the blood-sacrifice. Ah, yes, it is it is well and truly dreamed. I have taken stock I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to mankind, so soon as we give it power over thought and action. For the sake of goodness and love, man shall let death have no sovereignty over his thoughts.
THE DIE IS NOW CAST NOW CAST IS THE DIE
.....
LOVE EVOLVE LOVE EVOLVE LOVE 9 9 9 9 9 9 9 9 9 9 9 9 LOVE EVOLVE LOVE EVOLVE LOVE
Hannah, can you hear me? Wherever you are, look up, Hannah. The clouds are lifting. The sun is breaking through. We are coming out of the darkness into the light. We are coming into a new world, a kindlier world, where men will rise above their hate, their greed and brutality. Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly. He is flying into the rainbow - into the light of hope, into the future, the glorious future that belongs to you, to me, and to all of us. Look up, Hannah. Look up. The Great Dictator 1940 Charlie Chaplin
THE DIE IS NOW CAST NOW CAST IS THE DIE
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
ADD TO REDUCE REDUCE TO DEDUCE ESSENCE OF NUMBER
.....
IS THIS THE OTHER SIDE OF THE OTHER SIDE ? KNOW IT'S OVER THERE I'VE JUST BEEN OVER THERE AND THEY SAID IT WAS OVER HERE
FRATERNAL GREETINGS AMEN THE NAME PLEASE JOIN THE ORACLE FORUM AND SHARE YOUR DREAMS WITH THE ALL AND SUNDRY OF PLANET EARTH EVERY GOOD WISH DAVE D SO OSIRIS THAT SON SO SET'S THAT SON!. SO RISES THAT SUN SO SETS THAT SUN FROM A TIME WITHOUT TIME THERE IS NO TIME TO LOSE. PLANET EARTH, AND IT'S GO DO GOOD GOD FAMILY OF SENTIENT BEINGS IS BETWIXT AND BETWEEN THE DEVIL AND THE DEEP BLUE SEE, SEE THE SEA THE DEEP BLUE SEE. C THAT SEE THIS WORK IS THE R IN EVOLUTION REVOLUTION THE R IN ELEVATION REVELATION. OM MANI PADME HUM ALL HAIL THE JEWEL IN THE CENTRE OF THE LOTUS
Hannah, can you hear me? Wherever you are, look up, Hannah. The clouds are lifting. The sun is breaking through. We are coming out of the darkness into the light. We are coming into a new world, a kindlier world, where men will rise above their hate, their greed and brutality. Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly. He is flying into the rainbow - into the light of hope, into the future, the glorious future that belongs to you, to me, and to all of us. Look up, Hannah. Look up The Great Dictator (1940)
"Look Up, Hannah" Anti-Fascist Democracy Speech
973-EHT-NAMUH-973 http://www.973-eht-namuh-973.com/ FRATERNAL GREETINGS CITIZEN OF PLANET EARTH. THANK YOU FOR HEARING THE PIPER AT THE GATES OF DAWN AND SENDING FORTH YOUR WORDS OF POWER. YOUR INTEREST IS MUCH APPRECIATED.
HERE IS AN ANSWER OF SORTS, FOR THERE IS SO MUCH TO DO. DEVELOPING THE SITE!. AND ONLY THE OLD SEE INNER, SINNER, SEER MAN, TO CHURN HAMLET'S MILL. WILL YOU PLEASE HELP ME,YOURSELF, AND OTHERS BY MEANS OF THE SITE ORACLE, SET UP FOR ADDRESSING QUESTIONS TO THE COMMUNAL MIND. AND ONE OF THE MEANS WHEREBY WE CAN FURTHER HELP IN BALANCING THE SEE SAW SEE OF THE GREAT WORK.'.
https://expulsia.com/973/coloured site/start/evokation/the_evokation.htm WELCOME TO THE ORACLE
RE THE SITE. I HOPE THIS INFORMATION WILL BE OF HELP. WITH EVERY GOOD WISH DAVE DFRATERNAL GREETINGS CITIZEN OF THE CITY OF NINE GATES.
FRATERNAL GREETINGS CITIZEN OF PLANET EARTH. FRATERNAL GREETINGS CITIZEN OF THE UNIVERSE. FRATERNAL GREETINGS UNIVERSAL CITIZEN.
THANK YOU FOR RECEIVING THIS MESSAGE UNTO THE PEOPLE OF PLANET EARTH. A PRESENT FROM THE PAST TO THE FUTURE PRESENT. ANOTHER SIGN OF A SIGNAL IS 1836 IS.
LOVE AND LIGHT THOUGHTS TO YOU AND YOURS. GOODNIGHT = 99 FOR YOU I THANK THE ANKH THE ANKH FOR YOU I THANK.
THE SIGHT OF THIS SITE IS NOT HIS SITE. IT IS OUR SITE THE ALL AND EVERYTHING OF PLANET EARTH, AN EVOCATION OF ETERNAL UNIVERSAL MIND! AND THOU ART A BRIGHT AND PERCEPTIVE STAR OF WONDER, STAR OF LIGHT, STAR OF ROYAL BEAUTY BRIGHT!
SEEK AND YE SHALL FIND! RELIGION RE LIGHT ON. RELIGIONS 108-63-9
THE CYCLE OF THE CIRCLE? ROUND AND ROUND. THE CIRCLE OF THE CYCLE RE THE ABOVE LINKS, SOME GNOSIS INSPIRED SEEKER OF TRUTH HAS WITH BLESSED GOODWILL MAGICKED UP THESE REDDIT LINKS FROM OUT THE IN OF THE GREAT MOTHERS MOUTH.
THE CREATOR CONSCIOUSNESS HAS SENT THIS TO YOU.
SOUL SO U LIVE SOUL SO U LEARN SOUL SO U LOVE!
KNOW THE WORD LOVE LOVE 3645 LOVE KNOW THE WORD LOVE LOVE 9 9 LOVE LOVE EVOLVE LOVE 9 9 9 9 9 9 9 LOVE EVOLVE LOVE
GNOSIS GOD KNOWS THIS! GNOSIS, MOVES IN MYSTERIOUS AND MAGICAL WAYS IT'S WONDERS TO PERFORM.
REAL REALITY REVEALED. BIRTHED FROM OUT THE IN OF THE UNIVERSAL GOD MIND. AZ IN THE ALL OF EVERYTHING THAT IS EVER IS.
CREATION REACTION.
THIS UNFOLDING OF THE R IN EVOLUTION REVOLUTION IS THE SAVING GRACE OF HUMANKIND.
EMANATING OUT THE IN OF UNIVERSAL MIND.
WISE WISDOM LOST AT SEA DROWNED IN A SEE OF KNOWLEDGE.
THE R IN EVOLUTION!
REVOLUTION, THE REVELATION OF REAL REALITY REVEALED. REAL REALITY REVEALED 9 9 9 9 9 9 9 9 9 9 REAL REALITY REVEALED
THIS IS THE PREDOMINANT PATTERN OF THOSE PARTICULAR LETTERS AND NUMBERS. ARRIVED AT BY NUMERICAL TRANSPOSITION OF THE LETTERS OF THE ENGLISH LANGUAGE ALPHABET.
AZIN A = 1 RIGHT THROUGH TO Z = 26. ADD TO REDUCE REDUCE TO DEDUCE ESSENCE OF NUMBER.
MIND + MATTER = 9. I THAT AM THAT TIME EMIT. FROM A TIME WITHOUT TIME, TIME IS THE PROBLEM. SO MUCH TO DO SO LITTLE TIME
HEARKEN TO THIS! O SEEKER OF TRUTH. MOST OF THE IMAGES WERE PAINTED BY THAT THAT THAT I AM. BETWEEN 1963 AND THE LATE EIGHTIES! THEY WERE BIRTHED INTO BEING FOR THE INTERNET BEFORE THERE WAS AN INTERNET. REALISE THAT AND YOU R ON YOUR WAY.
FROM THE GOD OF ALL AND EVERYTHING THE TIME THAT IS COMING NOW IS!
IF YOU BELIEVE IN THE SIGHT OF THE SITE. SPREAD THE WORD OF THE GREAT AWAKENING. THE PATH OF PTAH.
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO!
I AM THAT I AM. THAT I AM THAT I AM NEVER STOPS.
RE THE SITE RE THE SUN GOD RE R = 18 1+8 = 9 E = 5 1234 5 6789
ONE TWO THREE FOUR = 208 2+0+8 = 10 1+0 = 1 FIVE (FULCRUM POINT OF BALANCE SIX SEVEN EIGHT NINE = 208 2+0+8 = 10 1+0 = 1 FIVE = 6 ZERO = 1
OUT OF ZERO COMETH ONE! ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE = 9 01234 5 6789 = 9 CIRCLE = 5
WISE W IS E WISE 5 IS 5 WISE
WISDOM W IS DOM 5 IS 5 WISDOM
ESOTERIC O SECRET I ESOTERIC
ESOTERIC 6 SECRET 9 ESOTERIC THE UPSIDE DOWN OF THE DOWNSIDE UP!
NUMBERS SBUMENR NUMBERS
NUMBERS 5342591 SBUMENR 1234559 SBUMENR NUMBERS
KARMA A MARK IS IS LIFE FILE IS
PERSEPHONE PERSEUS IS ON THE PHONE FOR YOU? PILGRIMS OF THE GRIP LIPS
KEEP TREADING THE PATH OF PTAH! PATH = 9 PTAH = 9
ONE = 7 SEVEN = 2 TWO = 4 FOUR = 6 SIX = 7
BACK TO SQUARE ONE!
THE GREAT WORK ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE
ABCDEFGHIJKLMNOPQRSTUVWXYZ = 351-126-9 GNOSIS GOD KNOWS THIS GODS SON IS GNOSIS KNOW I’M TRAVELLING LIGHT I’M DENISON = DIMENSION I’M DENISON FROM THE I’M DENISON DIMENSION.
LOVE EVOLVE LOVE 9 9 9 9 9 9 9 LOVE EVOLVE LOVE 9 9 9 9 9 9 9 LOVE EVOLVE LOVE LOVE LIGHT LIFE
SUNDAY TIMES July 24th 1977 Page 16 IMAGE OF THE WEEK: SURREALIST "Where are the good painters of the 1970s? In quite surprising places, very likely. One of them is in a West Yorkshire school for prison officers (of whom he is one) giving classes in first-aid. David Denison, who has a current exhibition at Ilkley Manor House, Yorkshire, is almost entirely self-taught. As a result he has learned an astonishing skill of a highly personal kind. He is a natural surrealist - a breed that is commoner in England than in more rational countries, but is very rare even here.
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
Page 250 THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT ....
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321 ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium." "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE" DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
WORDS OF POWER
BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
Page 250 THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321 ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
THE EYWA AVATAR EYWA I SEE I SEE YOU I YOU SEE I THAT AM Y I C U R ME O ME R U C I I C THAT THAT THAT C I I
Enya - Wikipedia, the free encyclopedia Enya is an Irish singer, instrumentalist and composer. The media sometimes refer to her by the Anglicized name, Enya Brennan; Enya is an approximate ... Enya discography - The Very Best of Enya - Enya (album) - And Winter Came...
EnyaFrom Wikipedia, the free encyclopediaJump to: navigation, search Enya in 2001 at the premiere of Sweet November in New York. Gweedore, County Donegal, Ireland Enya, (born Eithne Patricia Ní Bhraonáin, Irish pronunciation: [ˈɛnʲə pəˈtrɪʃə nʲiː ˈvˠɾˠiːn̪ˠaːnʲ], 17 May 1961), is an Irish singer, instrumentalist and composer. The media sometimes refer to her by the Anglicized name, Enya Brennan; Enya is an approximate transliteration of how Eithne is pronounced in the Gaoth Dobhair dialect of the Irish language, her native tongue.[1][2] She began her musical career in 1980, when she briefly joined her family band Clannad, before leaving to perform solo. She gained wider recognition for her music in the 1986 BBC series The Celts. Shortly afterwards, her 1988 album Watermark propelled her to further international fame and she became known for her unique sound, characterised by voice-layering, folk melodies, synthesised backdrops and ethereal reverberations.[3]
Christy Moore The Diamondtina Drover - Free MP3 DownloadChristy Moore with Enya - The Diamo... Christy Moore "The diamond... Free " Ordinary man". Click to Preview. Christy Moore "The diamond... The ...
YouTube - The Diamantina Drover20 Nov 2007 ... Added to queue Diamantina Drover (12string and harp)by KasugaD400669 views ... Added to queue Christy Moore (with Enya) - The Diamondtina ...
Celtic Lyrics Corner Song List - DDeora Ar Mo Chroi · Enya · A Day Without Rain · Dheanainn Sugradh · Clannad · Clannad 2, See also "The Dark-haired ... Diamantina Drover · Grada · Endeavour ...
HOLY BIBLE REVELATION C 21 V 1 And I saw a new heaven and a new earth: for the first heaven and the first earth were passed away; and there was no more sea.2 And I John saw the holy city, new Jerusalem, coming down from God out of heaven, prepared as a bride adorned for her husband.3 And I heard a great voice out of heaven saying, Behold, the tabernacle of God is with men, and he will dwell with them, and they shall be his people, and God himself shall be with them, and be their God. 4 And God shall wipe away all tears from their eyes; and there shall be no more death, neither sorrow, nor crying, neither shall there be any more pain: for the former things are passed away. 5 And he that sat upon the throne said, Behold, I make all things new. And he said unto me, Write: for these words are true and faithful.6 And he said unto me, It is done. I am Alpha and Omega, the beginning and the end. I will give unto him that is athirst of the fountain of the water of life freely. 7 He that overcometh shall inherit all things; and I will be his God, and he shall be my son.
THE LIGHT IS RISING RISING IS THE LIGHT
Prometheus - Wikipedia, the free encyclopedia In Greek mythology, Prometheus 1] is a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and ... Prometheus From Wikipedia, the free encyclopedia This article is about the Greek mythological figure. For other uses, see Prometheus (disambiguation). In Greek mythology, Prometheus (/prəˈmiːθiːəs/; Greek: Προμηθεύς, pronounced [promɛːtʰeús], meaning "forethought")[1] is a Titan, culture hero, and trickster figure who is credited with the creation of man from clay, and who defies the gods and gives fire to humanity, an act that enabled progress and civilization. Prometheus is known for his intelligence and as a champion of mankind.[2] The punishment of Prometheus as a consequence of the theft is a major theme of his mythology, and is a popular subject of both ancient and modern art. Zeus, king of the Olympian gods, sentenced the Titan to eternal torment for his transgression. The immortal Prometheus was bound to a rock, where each day an eagle, the emblem of Zeus, was sent to feed on his liver, which would then grow back to be eaten again the next day. (In ancient Greece, the liver was thought to be the seat of human emotions.)[3] In some stories, Prometheus is freed at last by the hero Heracles (Hercules). In another of his myths, Prometheus establishes the form of animal sacrifice practiced in ancient Greek religion. Evidence of a cult to Prometheus himself is not widespread. He was a focus of religious activity mainly at Athens, where he was linked to Athena and Hephaestus, other Greek deities of creative skills and technology.[4] In the Western classical tradition, Prometheus became a figure who represented human striving, particularly the quest for scientific knowledge, and the risk of overreaching or unintended consequences. In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the subtitle to her novel Frankenstein (1818).
The oldest legends of Prometheus among the Ancients[edit] The four most ancient sources for understanding the origin of the Prometheus myths and legends all rely on the images represented in the Titanomachia, or the cosmological climactic struggle between the Greek gods and their parents, the Titans.[5] Prometheus himself was a titan who managed to avoid being in the direct confrontational cosmic battle between Zeus and his followers against Cronus, Uranus and their followers.[6] Prometheus therefore survived the struggle in which the offending titans were eternally banished by Zeus to the chthonic depths of Tartarus, only to survive to confront Zeus on his own terms in subsequent climactic struggles. The greater Titanomachia depicts an overarching metaphor of the struggle between generations, between parents and their children, symbolic of the generation of parents needing to eventually give ground to the growing needs, vitality, and responsibilities of the new generation for the perpetuation of society and survival interests of the human race as a whole. Prometheus and his struggle would be of vast merit to human society as well in this mythology as he was to be credited with the creation of humans and therefore all of humanity as well. The four most ancient historical sources for the Prometheus myth are Hesiod, Homer, Pindar, and Pythagoras. Hesiod and the Theogony[edit] The Prometheus myth first appeared in the late 8th-century BC Greek epic poet Hesiod's Theogony (lines 507–616). He was a son of the Titan Iapetus by Clymene, one of the Oceanids. He was brother to Menoetius, Atlas, and Epimetheus. In the Theogony, Hesiod introduces Prometheus as a lowly challenger to Zeus's omniscience and omnipotence.[7] In the trick at Mekone, a sacrificial meal marking the "settling of accounts" between mortals and immortals, Prometheus played a trick against Zeus (545–557). He placed two sacrificial offerings before the Olympian: a selection of beef hidden inside an ox's stomach (nourishment hidden inside a displeasing exterior), and the bull's bones wrapped completely in "glistening fat" (something inedible hidden inside a pleasing exterior). Zeus chose the latter, setting a precedent for future sacrifices.[7] Henceforth, humans would keep that meat for themselves and burn the bones wrapped in fat as an offering to the gods. This angered Zeus, who hid fire from humans in retribution. In this version of the myth, the use of fire was already known to humans, but withdrawn by Zeus.[8] Prometheus, however, stole back fire in a giant fennel-stalk and restored it to humanity. This further enraged Zeus, who sent Pandora, the first woman, to live with humanity.[7] Pandora was fashioned by Hephaestus out of clay and brought to life by the four winds, with all the goddesses of Olympus assembled to adorn her. "From her is the race of women and female kind," Hesiod writes; "of her is the deadly race and tribe of women who live amongst mortal men to their great trouble, no helpmeets in hateful poverty, but only in wealth."[7] Prometheus Brings Fire by Heinrich Friedrich Füger. Prometheus brings fire to mankind as told by Hesiod, with its having been hidden as revenge for the trick at Mecone. Hesiod revisits the story of Prometheus in the Works and Days (lines 42–105). Here, the poet expands upon Zeus's reaction to the theft of fire. Not only does Zeus withhold fire from humanity, but "the means of life," as well (42). Had Prometheus not provoked Zeus's wrath (44–47), "you would easily do work enough in a day to supply you for a full year even without working; soon would you put away your rudder over the smoke, and the fields worked by ox and sturdy mule would run to waste." Hesiod also expands upon the Theogony's story of the first woman, now explicitly called Pandora ("all gifts"). After Prometheus' theft of fire, Zeus sent Pandora in retaliation. Despite Prometheus' warning, Epimetheus accepted this "gift" from the gods. Pandora carried a jar with her, from which were released (91–92) "evils, harsh pain and troublesome diseases which give men death".[11] Pandora shut the lid of the jar too late to contain all the evil plights that escaped, but foresight remained in the jar, giving humanity hope. Angelo Casanova,[12] Professor of Greek Literature at the University of Florence, finds in Prometheus a reflection of an ancient, pre-Hesiodic trickster-figure, who served to account for the mixture of good and bad in human life, and whose fashioning of humanity from clay was an Eastern motif familiar in Enuma Elish; as an opponent of Zeus he was an analogue of the Titans, and like them was punished. As an advocate for humanity he gains semi-divine status at Athens, where the episode in Theogony in which he is liberated[13] is interpreted by Casanova as a post-Hesiodic interpolation.[14] Homer, the Iliad, and the Homeric Hymns[edit] The banishment of the warring titans by the Olympians to the chthonic depths of Tartoros was documented as early as Homer's Iliad and the Odyssey where they are also identified as the hypotartarioi, or, the "subterranean." The passages appear in the Iliad (XIV 279)[15] and also in the Homeric hymn to Apollo (335).[16] The particular forms of violence associated especially with the Titans are those of hybristes and atasthalie as further found in the Iliad (XIII 633-34). They are used by Homer to designate an unlimited, violent insolence among the warring Titans which only Zeus was able to ultimately overcome. This text finds direct parallel in Hesiod's reading in the Theogony (209) and in Homer's own Odyssey (XIX 406). In the words of Kerenyi, "Autolykos, the grandfather, is introduced in order that he may give his grandson the name of Odysseus."[17] In a similar fashion, the origin of the naming of the "titans" as a group has been disputed with some voicing a preference for reading it as a combination of titainein (to exert), and, titis (retribution) usually rendered as "retribution meted out to the exertion of the Titans."[18] It should be noted in studying material concerning Prometheus that Prometheus was not directly among the warring Titans with Zeus though Prometheus's association with them by lineage is a recurrent theme in each of his subsequent confrontations with Zeus and with the Olympian gods. Pindar and the Nemean Odes[edit] The duality of the gods and of humans standing as polar opposites is also clearly identified in the earliest traditions of Greek mythology and its legends by Pindar. In the sixth Nemean Ode, Pindar states: "There is one/race of men, one race of gods; both have breath/of life from a single mother. But sundered aurora collett us divided, so that one side is nothing, while on the other the brazen sky is established/a sure citadel forever."[19] Although this duality in strikingly apparent in Pindar, it also has paradoxical elements where Pindar actually comes quite close to Hesiod who before him had said in his Works and Days (108) "how the gods and mortal men sprang from one source."[20] The understanding of Prometheus and his role in the creation of humans and the theft of fire for their benefit is therefore distinctly adapted within this distinguishable source for understanding the role of Prometheus within the mythology of the interaction of the Gods with humans. Pythagoras and the Pythagorean Doctrine[edit] In order to understand the Prometheus myth in its most general context, the Late Roman author Censorinus states in his book titled De die natali that, "Pythagoras of Samos, Okellos of Lukania, Archytas of Tarentum, and in general all Pythagoreans were the authors and proponents of the opinion that the human race was eternal."[21] By this they held that Prometheus's creation of humans was the creation of humanity for eternity. This Pythagorean view is further confirmed in the book On the Cosmos written by the Pythagorean Okellos of Lukania. Okellos, in his cosmology, further delineates the three realms of the cosmos as all contained within an overarching order called the diakosmesis which is also the world order kosmos, and which also must be eternal. The three realms were delineated by Okellos as having "two poles, man on earth, the gods in heaven. Merely for the sake of symmetry, as it were, the daemons --not evil spirits but beings intermediate between God and man -- occupy a middle position in the air, the realm between heaven and earth. They were not a product of Greek mythology, but of the belief in daemons that had sprung up in various parts of the Mediterranean world and the Near East."[22] The Athenian Tradition of Prometheus: Aeschylus and Plato[edit] The two major authors to have a distinctive influence on the development of the myths and legends surrounding the titan Prometheus during the Socratic era of greater Athens were Aeschylus and Plato. The two men wrote in highly distinctive forms of expression which for Aeschylus centered on his mastery of the literary form of Greek tragedy, while for Plato this centered on the philosophical expression of his thought in the form of the various dialogues he had written and recorded during his lifetime. Aeschylus and the Ancient Literary Aesthetics of Prometheus[edit] Prometheus Bound, perhaps the most famous treatment of the myth to be found among the Greek tragedies, is traditionally attributed to the 5th-century BC Greek tragedian Aeschylus.[23] At the center of the drama are the results of Prometheus' theft of fire and his current punishment by Zeus; the playwright's dependence on the Hesiodic source material is clear, though Prometheus Bound also includes a number of changes to the received tradition.[24] Before his theft of fire, Prometheus played a decisive role in the Titanomachy, securing victory for Zeus and the other Olympians. Zeus's torture of Prometheus thus becomes a particularly harsh betrayal. The scope and character of Prometheus' transgressions against Zeus are also widened. In addition to giving humankind fire, Prometheus claims to have taught them the arts of civilization, such as writing, mathematics, agriculture, medicine, and science. The Titan's greatest benefaction for humankind seems to have been saving them from complete destruction. In an apparent twist on the myth of the so-called Five Ages of Man found in Hesiod's Works and Days (wherein Cronus and, later, Zeus created and destroyed five successive races of humanity), Prometheus asserts that Zeus had wanted to obliterate the human race, but that he somehow stopped him. Heracles freeing Prometheus from his torment by the eagle (Attic black-figure cup, c. 500 BC)
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LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S LOOK AT THE 5FIVE5S THE 5FIVE5S THE 5FIVE5S
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Page 32 5
THE BALANCING ONE TWO THREE FOUR FIVE NINE EIGHT SEVEN SIX
1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
V 5 FIVE 5 1 2 3 4 5V5 6 7 8 9 5 AS IN FIVE IS THE FULCRUM IN THE BALANCING OF THE NINE NUMBERS
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NORMAL
NORMAL
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NORMALITY
Normality is a situation in which everything is normal. A semblance of normality has returned with people going to work and shops re-opening. American English: ...
normality - Dictionary Definition : Vocabulary.com normality Add to list Share. When something happens that shakes up your life, you probably look forward to a return to normality, meaning the usual happenings of everyday life. ... The suffix -ity means "the state of being," so normality refers to a state that is normal, something that is just as expected.
Normality Meaning | Best 5 Definitions of Normality Normality meaning · The state or fact of being normal; normalcy. · The concentration of a solution expressed as the number of gram equivalent weights of solute per (chemistry) The concentration of a solution expressed in gram equivalent weights of solute per litre of solution.
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normalize mathematics verb: normalize; 3rd person present: normalizes; past tense: normalized; past participle: normalized; gerund or present participle: normalizing; verb: normalise; 3rd person present: normalises; past tense: normalised; past participle: normalised; gerund or present participle: normalising "the two countries normalized diplomatic relations in 1995" Mathematics "both sets of data have been normalized such that the lowest value is equal to 1"
NORMALIZE
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THE NORMAL
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Time to define the New Normal — MAAS-Alliance Time to define the New Normal. We have seen many articles and analyses on the impacts of the ongoing Covid-19 crisis to various sectors, including the ... Time to define the New Normal We have seen many articles and analyses on the impacts of the ongoing Covid-19 crisis to various sectors, including the mobility. So why writing one more? With this post, more than to analyse the impacts of Covid-19 on mobility and MaaS, we wanted to take the opportunity to discuss the potential implications of MaaS to the post-corona mobility.
22 Jun 2020 — Building a better world beyond COVID-19 requires leaders to imagine the unthinkable. Here's your guide.
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ZERO THE OUGHT AS IN THOUGHT
IN SEARCH OF THE MIRACULOUS Fragments of an Unknown Teaching P.D.Oupensky 1878- 1947 Page 217 " 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' " " 'When a man awakes he can die; when he dies he can be born' "
The Four Quartets Burnt Norton T. S. Eliot I "Time present and time past
THE ART OF MEMORY FRANCIS A. YATES 1979 THE OCCULT PHILOSOPHY IN THE ELIZABETHAN AGE JOHN DEE AND THE FAERIE QUEENE Page 120 "Aristotle in his Ethics defines justice of proportion, an idea which suggests proportion as an ethical quality.As John Dee noted in his Preface to Euclid of 1570: 'Aristotle in his Ethikes ... was fayne to fly to the perfection and power of numbers for proportions / Page 121 / arithmeticall and geometricall.26" Page 222 EPILOGUE IF I SAY PERADVENTURE THE DARKNESS SHALL COVER ME: THEN SHALL MY NIGHT BE TURNED TO DAY. YEA THE DARKNESS IS NO DARKNESS WITH THEE, BUT THE NIGHT IS AS CLEAR AS THE DAY: THE DARKNESS AND LIGHT TO THEE ARE BOTH ALIKE.
THE DIVINE INVASION Phillip K. Dick 1981 Page 5 THE TIME YOU HAVE WAITED FOR HAS COME. THE WORK IS COMPLETE; THE FINAL WORLD IS HERE. HE HAS BEEN TRANSPLANTED AND IS ALIVE. - Mysterious voice in the night
THE NUCLEAR FAMILY 1969
VIETNAM MADONNA 1970
EHT NAMUH 1973
THE HUMAN 1977
AFRICAN NIGHTMARE SPECTRE OF FAMINE 1975
THE JOURNEYMAN 1977
FIRST CONTACT 1980
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